Alma Tadema
Alma Tadema's Oil Paintings
Alma Tadema Museum
8 January 1836 – 25 June 1912. Most renowned painters.

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Henri Matisse
Self-Portrait

ID: 27124

Henri Matisse Self-Portrait
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Henri Matisse Self-Portrait


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Henri Matisse

French Fauvist Painter and Sculptor, 1869-1954 Henri Matisse is considered the most important French artist of the 20th century and, along with Pablo Picasso, one of the most influential modernist painters of the last century. Matisse began studying drawing and painting in the 1890s. A student of the masters of Post-Impressionism, Matisse later made a reputation for himself as the leader of a group of painters known as Les Fauves. An ironic label given to them by a critic, the name reflected Matisse's aggressive strokes and bold use of primary colors. In 1905 Matisse gained sudden fame with three paintings, including Woman with the Hat, purchased by the wealthy American ex-patriot Gertrude Stein. Beyond painting, he worked with lithographs and sculpture, and during World War II he did a series of book designs. Later in his career he experimented with paper cutouts and designed decorations for the Dominican chapel in Vence, France. Along with Picasso,   Related Paintings of Henri Matisse :. | There s still life pomegranate | Harmony in Red-The Red Dining Table (mk35) | Red background blue table | Crouching Nude Profile with Black Hair (mk35) | The Gypsy (mk35) |
Related Artists:
jozef marian chelmonski
Jozef Marian Chełmoski (November 7, 1849 -- April 6, 1914) was a Polish painter. Chełmoski was born in the village of Boczki near Łowicz in central Congress Poland, Russian Empire. His first drawing teacher was his father (a small leaseholder and administrator of Boczki village). After finishing high school in Warsaw, he studied in Warsaw Drawing Class (1867C1871) and took private lessons from Wojciech Gerson. From 1871 to 1874 Chełmoski lived in Munich. He worked with Polish painters assembled around Jozef Brandt and Maksymilian Gierymski. He also had studied for a few months at the academy of H. Anschutz and A. Strahuber. In 1872 and 1874 Chełmoski visited the Polish territories (Poland as a country did not exist then), Tatra Mountains and Ukraine. His first paintings were done under the influence of Gerson. The works that followed were landscapes and villages. In 1875 Chełmoski went to Paris, where he had many important exhibitions and became known to the art scene. With many orders, the artistic level of his paintings decreased. From 1878 to 1887 Chełmoski visited Poland, Vienna and Venice. In 1887 he returned to Poland and in 1889 settled in Kuklewka Zarzeczna village. Contact with his homeland and nature revealed quality in his artworks. From that time are the best liked Chełmoski's paintings such as Partridge on the Snow, The Storks or Before Thunderstorm. Chełmoski represented the trend in art called "Polish Patriotic Painting". He died in Kuklewka near Grodzisk Mazowiecki in 1914.
William Barak
Australian Aboriginal, ca.1824-1903 was the last traditional ngurungaeta (elder) of the Wurundjeri-willam clan, based around the area of present-day Melbourne, Australia. He became an influential spokesman for Aboriginal social justice and an important informant on Wurundjeri cultural lore. Barak was born in the early 1820s at Brushy Creek near present-day Croydon, in the country of the Wurundjeri people. His mother, Tooterrie, came from the Nourailum bulluk at Murchison, Victoria. His father, Bebejern, was an important member of the Wurundjeri clan. Beruk was said to have been present when John Batman met with the tribal elders to 'purchase' the Melbourne area in 1835. Before he died he described witnessing the signing of the treaty in a ceremony he called a tanderem. Ninggalobin, Poleorong and Billibellary were the leading song makers and principal Wurundjeri leaders in the Melbourne region. European colonisation had caused disruptions to initiation ceremonies. In response these three men gathered at South Yarra in the late 1830s and inducted the young William Barak into Aboriginal lore. This entailed formally presenting Barak with the symbols of manhood: strips of possumskin tied around his biceps; the gombert around his neck; given his ilbi-jerri, a sharp and narrow bone or nose-peg; and his branjep, the apron worn by men to cover their genitals. At the end of the ceremony Barack presented his uncle, Billibellary, a possumskin cloak. Beruk attended the government's Yarra Mission School from 1837 to 1839. When he joined the Native Mounted Police in 1844, he was given the name of William Barak. He was Police Trooper No.19. In early 1863, Barak moved to Coranderrk Station, near Healesville, Victoria with about thirty others. Upon the death of Simon Wonga in 1875, Barak became the Ngurungaeta of the clan. He worked tirelessly for his people and was a successful negotiator on their behalf. He was a highly respected man and leader, with standing amongst the Indigenous people and the European settlers. Figures in possum-skin cloaks, 1898 by William Barak.Barak is now best remembered for his artworks, which show both traditional Indigenous life and encounters with Europeans. Most of Barak's drawings were completed at Coranderrk during the 1880s and 1890s. They are now highly prized and exhibited in leading public galleries in Australia. His work is on permanent display in the National Gallery of Victoria Ian Potter Centre at Federation Square, Melbourne. Ceremony (1895) is housed at the Ballarat Fine Art Gallery. Barak died at Coranderrk in 1903 and is buried at the Coranderrk cemetery.
Sergei Vinogradov
Russian.1869-1938






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